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Skill in dancing has always been regarded as a most desirable accomplishment. De Lauze, in his 1623 treatise Apologie de la Danse lays down precise instructions on how to bow and curtsy, to carry oneself, to extend one's arms and to balance. He is, however, rough and confusing when it comes to describing actual figures and sequences. This is reasonable enough given that his readers were probably completely familiar with the simple dances in their polite repertoire and needed only a lesson in deportment. Today deportment or etiquette are not often taught but there is clearly more to rewarding dancing than just the figures or steps of the dance. There is that elusive quality of grace. To achieve it teachers over the centuries have encouraged dancers to exhibit exemplary manners, offer a relaxed but tall presence, be light on their feet, lift their torso from the hips like an egg from a egg cup, let their chest lead as if being drawn forward by an upward pulling string, let their head turn ahead of their feet, dance with their whole body and move with a quite economy of motion.  For those who prefer less of a challenge here are three simple rules:
  • Dance to the music: Moving in time to the music is more important than doing fancy steps and flowing smoothly from one figure to the next is more important than doing fancy embellishments. Aim to start and finish each figure with the phrase in the music and have steps fall exactly on the beat.

  • Dance with your partner: At every opportunity exchange eye contact and share weight with your partner - whether the partner with whom you came out onto the floor or the partner you take fleetingly in the middle of a dance sequence. Help a less experienced partner with courteous indications but don't teach unsolicitidly.

  • Dance as a group: Make each dance as social as possible by asking strangers and people with different level of experience for dances, and once under way, keep in mind the shape of the set as a whole or the flow of couples around the floor. When holding hands in a circle let there be a feeling of mutual support and when not holding hands think ahead to ensure even spacing.

If all else fails, smile and have a laugh.
If all else fails, smile and have a laugh.

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